A technophile lawyer rediscovers the joys of pen and paper

Tuesday, May 25, 2010

Get thee to the Smithsonian this Saturday!

I don't know where the Smithsonian got the idea that anyone reads my blog, but I'll humor their illusion and, at the request of one of their employees, pass along the news that the National Postal Museum, in association with the Pen Collectors of America, will be hosting a special event this Saturday: Pens & the Post: Collect, Correspond, Celebrate!
Pens, postage, and mail have long gone hand-in-hand. Join the Postal Museum and the Pen Collectors of America for a day of fun activities exploring the history of pens and mail. Learn about letter writing past and present with many fun activities[.]
My favorite among the listed activities: "Take a fancy fountain pen for a spin at the 'Pen Petting Zoo' provided by Fahrney’s Pens." I never thought of it that way before, but "pen petting zoo" is a perfect way to describe it!
Special mini-workshops will encourage deeper exploration of special topics from the fun of pen collecting to improving your penmanship. Each workshop includes a hands-on activity, opportunities to ask questions, and the chance to learn from the experts! 
Click the link or the logo for details.


Sunday, May 23, 2010

The trouble with ink reviews

As you might guess from my last post, I'd love to have the problem of the blogger at Force de Frappe, who wrote earlier this month: "Diamine inks sent me 86 bottles of ink to review!

He then expressed the same concerns I have with ink reviews: they are unfair because of variables from one review to the other. I want to eliminate as many of those variables as possible. So, in my testing so far, I've been using the same two pen/nib combinations and the same two notebooks.

I've also been limiting myself to one color family (grays, for the time being). haven't gotten around to actually posting a review because I want to get through all the grays before posting a review about any of them. That's the only way I'll be able to write comments about each relative to the others. For example, which is the wettest-writing gray?

Where I'm the reviewer, another variable creeps in . . . my experience — or lack thereof. I've been writing with fountain pens for just a few months, and my knowledge and opinions have changed dramatically in that time. So, by writing up a single color family at the same time, I'll make sure the comparisons are based on the same mind-set and any differences noted among the inks is not due to more knowledge or different preferences than I had during earlier reviews. In fact, I may write up more than one ink per review. I don't know yet.

None of this is to say that I don't appreciate the reviews written by others. But the bottom line is that there's no way to tell if your experience with an ink will be the same as the reviewer's. I really liked the way Brian Goulet of Goulet Pen Co. put it in his review of J. Herbin Bleu Pervenche:
I've seen other ink reviews, and I wanted to put my own little spin on it. I started out with the idea of doing a comparison with dry times, saturation, flow, bleedthrough, blah blah blah. Bottom line is that ink is subjective, based on the pen you use, the paper you write on, and your personal writing style. Not to mention the fact that the lighting, picture editing, and your individual computer monitor settings will affect the color you see. So I took some nice pictures and will let them speak for themselves.
It's hard to imagine making an ink review really fun to read, but I'll do my best. 


Monday, May 17, 2010

Ink me!

Well, nothing like 16 little samples of fountain pen inks to cheer me up after another all-nighter! The timing of today's delivery from Pear Tree Pens was perfect. If you love ink but don't know about their ink sample pack, you're really missing out! Four samples for $4.99. Quite the deal. (I have no affiliation, I just love the service.)

If you're curious what the colors are, click the pic, then mouse over the sample you're interested in!

UPDATE (5/18): Pear Tree Pens is in the "Retailer Spotlight" at Rhodia Drive. Check it out!

Look under the picture for more updates!

Ink Samples from Pear Tree Pens

UPDATE #2 (5/22): Welcome Pen Addict readers! And, for those of you who arrived at this post some other way, make sure to check out Pen Addict's "Ink Links" post published today and every Saturday, where you'll find lost of links and likely discover (like I do) a new blog or two you want to follow nearly every week.

UPDATE #3 (5/22): Just this week, I learned that Brian Goulet of Goulet Pen Co. (and the teriffic Ink Nouveau vlog) is also offering samples. For now, he's only offering J. Herbin and Pelikan inks, but he's got some colors in those brands that Pear Tree pens didn't offer samples of the last time I ordered, and you don't have to order in sets of 4 . . . so I ordered 11 more samples from Brian yesterday!


Saturday, May 8, 2010

Pens and papers and lawyers, oh my!

Fellow lawyer Gary asked in a comment: "As one Esq to another I'd like to hear more about pen, paper and ink in your practice (as I sit at my desk wearing an ink 'incident')."

Thanks for reminding me, Gary, about one of the reasons I started this blog. I have occasionally tied the subject of a post to my law practice, but I'm sure I've missed some opportunities to do so. I will try to be more conscious of the issue while I draft future posts.

I looked over my posts so far, and there are some posts that reference law practice (albeit sometimes tangentially), including the culture of law (or at least, what I thought it to be), the technology-drenched modern practice of law, the practicalities of fine-point pens for litigation attorneys, how infatuation with gadgets can impede your thought process, a description of my initial set-up for using multiple notebooks for personal and practice task management (a plan that was out the window less than a month later), and the inadequacy of most annual planners for litigation practice.

I'm working on a review of the Levenger Annotation Ruled Yellow Notepads, which is definitely a post related to law practice, as Jay Foonberg says you should advertise yourself as a lawyer by visibly carrying a yellow legal pad everywhere you go!

"Ink incidents" at the office are a small concern for me, but so far I've been lucky. Fortunately, our firm's break room is equipped with a sink, so it's easy for me to rinse out my pens and change inks without much risk of making a mess. But there are plenty of other ways for ink incidents to occur, so I guss I'm bound to have one sooner or later. It's something akin to riding a motorcycle. When I bough t my first one, a friend who was an experienced rider pointedly told me: "There are two kinds of motorcycles: (1) those that have been "laid down" (any crash, however minor, that puts the bike on it's side), and (2) those that will be. I guess the same is true of pens and "ink incidents."


Thursday, May 6, 2010

Quite possibly the last review in the entire world of the second generation Rhodia Webnotebook (large U.S. version)

As promised in my over-the-top tribute to Karen at Exaclair, I am finally getting around to reviewing the second generation large Rhodia Webnotebook (or "Webbie") I received from her more than four weeks ago. I mention that in the interest of full disclosure, but I also wish to stress that Karen made it clear that no review, let alone a favorable one, was necessary for me to receive the sample.

Since the third generation webbie is due soon, this may well be the last review ever published of the "2.0" version. The. Last. Review. Ever.

So, with that overly dramatic beginning, I might as well give an overly dramatic summary of my review: They can have my Rhodia Webnotebook when they pry it from my cold, dead fingers. That's how much I like this notebook.

Though other bloggers have already covered many of these features, I'll go over them anyway, for a couple of reasons. First, several other bloggers reviewed the pocket size version instead of the large notebook. Second, you might be running across this review first. And third, why not make the most of having the last word before the Webbie 3.0 arrives?

Let's cut to the chase: the paper. The luxurious, fountain pen-friendly Clairfontaine 90g paper that feels smooth as a baby's skin, produces a line true to the size of the fountain pen nib, and shows not a hint of feathering or bleed through. You'll pay a price in drying time, but for most fountain pen lovers, I'm sure it's worth it. And those qualities make the writing more pleasurable even with a rollerball or gel pen. Show-through is barely there, even for the most saturated inks and wettest nib/ink combinations I tried:

Rhodia Webnotebook Clairefontaine paper performance

Look carefully at the right of the above composite, and you'll see the only significant show-through is from an orange Platinum Preppy highlighter that my brilliant composition skills actually cut out of the left side of the photo. I looked really, really close at these inks, and I found no feathering or bleeding at all. You can't even see feathering in this magnified view:

Rhodia Webnotebook Clairefontaine paper close-up

Keep magnifying it, and you'll see pixelation before you see any feathering!

You might remember that my first impression of the webbie when I saw it in the store was disappointment in its size. That was probably due mostly to the fact that I was (and still am) on my first notebook, which is an extra large Piccadilly. I 'd been using that for several weeks for notes at work, and still getting used to the fact that it is smaller than a standard letter-sized sheet. As you can see from the photo below, the Webbie is quite a bit smaller (5.5" x 8.25" according to the label):

Size comparison - Rhodia Large Webbie vs. Extra Large Piccadilly

See how the overhead flourescents are reflected by the Piccadilly, yet the Webbie has a flat matte look? Love that! It gives the Webbie a kind of "stealth" persona that is refined and formal. It seems fast, somehow, and that feeling is also furthered by the black inside covers:

Rhodia Webnotebook

From the pictures I've seen in reviews of the orange-covered version, it appears the end papers and inside covers likewise match the cover, which is a little too much orange for my taste, but probably not enough for Rhodiaphiles.

I love the black cover, inside and out. Some other reviewers have been a little turned off by the deeply stamped Rhodia logo smack in the middle of the cover, but it doesn't bother me. The cover itself feels quite luxurious (the Rhodia website calls it "Italian leatherette"), and maybe a little too nice to carry around and subject it to the rigors of constant use, with resulting scuffs and scratches. Nifty at Notebook Stories noted that the cover "takes impressions easily," as could be seen by indentations left in the cover by the elastic strap. Sure enough, when I removed the Webbie from my briefcase, I was bummed to see that it had two very deep impressions on the front cover near the spine, left by something it had been pressed against in my briefcase. Hours later, however, the cover had almost fully rebounded and you had to look closely to see where the impressions had been. Still, I think I may prefer to find a use for this where it doesn't have to leave the house — not because the cover is exceptionally delicate, but because it seems a shame to risk marring it, it's that nice.

Some reviews have described the cover has having some flex, but the one I have sure doesn't seem to have much. If anything, it seems less flexible than the large Moleskine hardcover, and it's certainly nothing like the curiously flexible "hard" cover on the Quo Vadis Habana.

Like I said, I was initially disappointed in its size, but now that I'm far more familiar wih the different notebooks out there, I know that the Webbie is typical of what is referred to as a "large" notebook. In fact, it's actually a touch wider than the large Molskine, but the pages don't come as close as flush to the edge of the cover as the Moleskine pages do. You can see these differences in this picture of the large Moleskine stacked on top of the Webbie:

Large Rhodia Webbie vs. Large Moleskine

It's not the flattest opening notebook you'll find, as Nifty and Biffybeans pointed out in their reviews. Opening flat was never a big a deal for me, but then I bought a Moleskine and saw just how flat a notebook can open, and now I want that in all my notebooks! The Moleskine, from my (admittedly sparse) experience thus far, still seems to be the champion of laying flat while open. However, the Webbie 3.0, due out soon, is supposed to open flatter than the Webbie 2.0.

The pages have other notable features besides the quality of the paper. First is the Rhodia logo in the bottom right of every right-hand page.


I've seen several reviewers and commenters mention that they don't like this. Perhaps it isn't scaled down enough and takes up more room in the pocket size, but I don't find it bothersome in the large size at all, especially since it only appears on the right pages. Still, it appears Rhodia got enough negative feedback that the "Webbie 3.0" will not have that logo on the pages.

Second is the spacing of the rulings on the page. You might recall that my initial reaction to the Webbie included some disappointment that the ruling was so wide, but it turns out it's not much wider than the Piccadilly I'm used to. Here they are side by side:

Ruling Comparison - Piccadilly vs. Rhodia Webnotebook

Besides, there are some things I really like about the ruling. The rules themselves are quite thin, and the gray color has a low contrast against the ivory paper, making the rules less obtrusive. You barely notice them once you have added text to the page.

Another thing I like about the ruling is how it gives some structure to the page. The ruling imposes this structure by ending short of the binding and the edge of the page and by the top and bottom rules being slightly thicker and darker than the others. This gives the blank page a much cleaner look than the blank page of a Moleskine or Piccadilly. I'd like to think it will also make my pages look neater after I've scribbled on them, but only time will tell. I know some people hate any structure to the ruling and prefer to have it extend the entire width of the page and the entire length of the page until you run out of space; they view any blank header space as a waste and an infringement on their ability to place text wherever they want on the page. Here, however, the header and footer are insignificant, though, and the leave enough pace for an additional line, so even "anti-structuralists" may be OK with this layout.

Rhodia Webnotebook page

Finally, the Webbie 2.0 has a ribbon bookmark that I like because it is quite long, extending about three inches past the bottom of the page. It's a small thing, but the bookmark in my Moleskine is barely long enough to stick out from the bottom, and that drives me nuts.

All in all, this is really a winner of a notebook. It is refined and well-finished, so much so that it makes me want to create something special to go in it. Since I'm not an artist, that means text, and . . . unfortunately, I'm not a writer, either! But maybe the Webbie will inspire me!


Tuesday, May 4, 2010

10th Carnival of Pen, Pencil and Paper

. . . is now up at Whatever.

Use this link to submit your entries for the 11th Carnival (don't forget, like I did this month, and don't be shy about submitting your own), which will be hosted by Tiger Pens Blog on June 8.